This exhibit will feature new work by Paul Baker-Prindle.

'In Cahoots' is a collaborative group show with work by Melissa Cooke, Kendra Larson, Katarina Riesing, Nathan Vernau, Zach Mory and Robin Russo. UW-Madison MFA students learn, understand and grow in collaboration for this exhibit. Each student responds to each other's changing work of art in examination of the complexities of many unique artistic styles. The result is a synthesis of different media, styles and concepts.

Four artists collaborate with local poet CX Dillhunt to create a fusion of art--prints, drawings and photographs--and complementary haiku. The paired works of poetry and visual images reflect the overarching theme of interpreting nature.

This exhibit includes watercolor, pastel, collage and oil paintings by senior citizens. Professionals and amateur artists from Oakwood Village's art therapy programs provide a variety of subjects ranging from still life to portraits.

This exhibit features artwork relating to the social, political and personal aspects of the HIV/AIDS epidemic.

This is an exhibit of sculpture by the late American artist George Segal. It will feature sixteen sculptural works from the 1960s to the late 1990s focusing on the urban environment.

This display examines the expressionist tradition in modern and contemporary art through paintings and works on paper from the permanent collection of the museum. It focuses on the three major styles of twentieth-century modernism in the visual arts: abstraction, expressionism, and realism.

Beautiful and seductive, protective yet dangerous, the African water deity Mami Wata is often portrayed as a mermaid, a snake charmer, or a combination of both. Traditional and now contemporary art has been created to celebrate Mami Wata and this exhibition explores five hundred years of the visual culture and history devoted other, inspired by her and created in honor of the essential sacred nature of water.

These large-scale color photographs reflect the ritual adornment and spirituality of masquerade in Nigeria, Benin and Burkina Faso in West Africa. These portraits of masqueraders build on Galembo’s work of the past twenty years, during which she has photographed the rituals and religious culture in Nigeria, Brazil, Cuba, Jamaica and Haiti.

Both Ariana Huggett of Milwaukee and Sally Hutchison of Madison work in a style that plays color against shape. Huggett applies oil paint to canvas stretched over embroidery hoops and to cut-out geometric wood shapes. Her painted patterns are informed by the shape of the support in combining elements of abstraction and illusion. Hutchison employs intense color and textured paint to form abstracted figures based on geometry that speak to a sense of mystery.